Op Art

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 63/200 on lower front. Bears the publisher's blind stamp on the fro...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

Start, 2000 Bridget Riley Screenprint in colours, on paper Signed, titled, dated and numbered from the edition of 200 Printed by Artizan Editions, Hove Image: 34.8 × 38 cm (13.7 × 1...

Offset lithograph print by Victor Vasarely 16 ⅛ x 16 inches About the Artist: Victor Vasarely (1906-1997) stands as a pioneering force in the realm of Op Art, heralded for his grou...

Julio Le Parc Jeux Enquête - Choisissez vos Ennemis, 1970-2014 Screenprint on wove paper Hand signed, dated and numbered 46/50 in graphite by the artist on the front Published by Ser...

Victor Vasarely Sidney Janis Gallery Exhibition Poster, 1974 Silkscreen poster on glossy thick paper Bears copyright stamp, printer name and ...

Chiapas I. Original color silkscreen, cca. 1970. Edition of 70 signed and numbered impressions on Arches paper. Marko Spalatin was a modern and contemporary artist from Croatia, who ...

Abstract composition is an artwork realized by Victor Vasarely (1906 Pecs - 1997 Annet-sur-Marne) in 1980. Silkscreen on paper. Signed lower right, numbered lower. h 48 x 45 cm ...

Tony Bechara’s abstract composition in red, blue, and green with the issue of visibility and representation in art. Abstracted and hazy, this rendering is emblematic of his works tha...

This screenprint was created by American artist Josef Levi. Levi is especially known for his interest in the visual similarities that transcend cultures, like the pattern shown here....

This screenprint was created by American artist Josef Levi. Levi is especially known for his interest in the visual similarities that transcend cultures, like the pattern shown here....

Victor Vasarely offset lithograph print 16 ⅛ x 16 inches About the Artist: Victor Vasarely (1906-1997) stands as a pioneering force in the realm of Op Art, heralded for his groundb...

Vintage poster lithograph by Victor Vasarely advertising an exhibit Galerie Luhumiere in Paris. The print features a an Op Art composition featuring a grid pattern of repeated squar...

Signed and numbered print by Julio Le Parc. The original drawing from 1958 is now part of the MET New-York. This edition has been done in 2018. Lithograph on vélin de Rives 270gr. ...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print on pure Cotton paper 270gr. Format :30x42 cm Edition Size : 12 signed and numbered copies. This is number 4 from an edition of 12. OPTIONAL Frame : 32x44 cm white painted oak, plexiglass U.V. Proof for 200€. Julio Le Parc (born September 23, 1928) is an Argentina-born artist who focuses on both modern op art and kinetic art. He is a precursor of Kinetic Art and Op Art, founding member of Groupe de Recherche d’Art Visuel and recipient of the Grand Prize for Painting at the 33rd Venice Biennale in 1966, Julio Le Parc is a major figure in modern art history. Upon arriving in Paris in 1958 he connected with Jesús Rafael Soto and Carlos Cruz-Diez who were already in Paris. There they met Victor Vasarely, Georges...

Victor Vasarely (9 April 1906 – 15 March 1997), was a Hungarian-French artist, who is widely accepted as a grandfather and leader of the Op art movement. In 1928, he enrolled at Sán...

Screenprint in colors on paper, edited in 1971 limited edition of 175 copies signed in pencil by artist in lower right Edition: Denise Rene , with blindstamp image size: 39 × 39 cm s...

Serbian artist Dordevic (or Djordjevic) Miodrag (1936 -), known as "Miodrag," designed this stunning abstract drawing. This work is a charcoal on paper depicting a brutalist abstract...

SLOWAVE (Red) Signed and numbered screen print by Florian & Michaël Quistrebert. This edition has been done in 2021. Item is new, sold by the publisher. Available without frame. As...

Scultura metacrilato metacrilato (plexiglass 100% riciclato) assemblata a mano - design by Gio Schiano edizione ex (LIMITED EDITIONS OF 50) Misure: alto...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print...

Louise Marler Energetic Influence Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1695 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print...

Victor VASARELY 1906 - 1997 EREBUS - 1982 Verre et bois Signature gravée sur le verre et numérotation sous la base "/2000" Edition Rosenthal studio-linie, Allemagne Dans sa boîte...

Louise Marler Tulip and Bees Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1694 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Signed and numbered print by Julio Le Parc. The original drawing from 1958 is now part of the MET New-York. This edition has been done in 2018. Technic : Lithograph on vélin de Riv...

Untitled. Original color silkscreen, cca. 1980. Edition of 200 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print on pure Cotton paper 270gr. Format :30x42 cm Edition Size : 12 signed and numbered copies. This is number 4 from an edition of 12. OPTIONAL Frame : 32x44 cm white painted oak, plexiglass U.V. Proof for 200€. Julio Le Parc (born September 23, 1928) is an Argentina-born artist who focuses on both modern op art and kinetic art. He is a precursor of Kinetic Art and Op Art, founding member of Groupe de Recherche d’Art Visuel and recipient of the Grand Prize for Painting at the 33rd Venice Biennale in 1966, Julio Le Parc is a major figure in modern art history. Upon arriving in Paris in 1958 he connected with Jesús Rafael Soto and Carlos Cruz-Diez who were already in Paris. There they met Victor Vasarely, Georges...

Neptune, from Eight Impressions. Serigraph in colors on wove paper. Hand signed and numbered by Victor Vasarely. Un-numbered (outside the hand numbered edition of 250). Image size 16 x 16 inches. Sheet size 24.37 x 19.25 inches. Frame size approx 26.5 x 25.5 inches. Additional images available upon request. Certificate of authenticity included. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: Victor Vasarely ((French/Hungarian, 1906–1997) was credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...

A classic beauty by Op Art artist, Julian Stanczak. Signed, dated and titled on verso Original frame by the artist Provenance: Private Collection, Cleveland, Ohio; Acquired directly ...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print on pure Cotton paper 270gr. Format :30x42 cm Edition Size : 12 signed and numbered copies. This is number 4 from an edition of 12. OPTIONAL Frame : 32x44 cm white painted oak, plexiglass U.V. Proof for 200€. Julio Le Parc (born September 23, 1928) is an Argentina-born artist who focuses on both modern op art and kinetic art. He is a precursor of Kinetic Art and Op Art, founding member of Groupe de Recherche d’Art Visuel and recipient of the Grand Prize for Painting at the 33rd Venice Biennale in 1966, Julio Le Parc is a major figure in modern art history. Upon arriving in Paris in 1958 he connected with Jesús Rafael Soto and Carlos Cruz-Diez who were already in Paris. There they met Victor Vasarely, Georges...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ...

The Agamograph is Agam’s unique contribution to the OP Art movement. The object is a print behind a lenticular surface that fools the eye to show movement and ...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ...

SLOWAVE (Yellow) Signed and numbered screen print by Florian & Michaël Quistrebert. This edition has been done in 2021. Item is new, sold by the publisher. Available without frame....

Richard Anuszkiewicz Soft Satellite Red, 1981 Silkscreen on wove paper Signed, dated and numbered 53 from the edition of 100 in pencil by the artist on the front. Bears label from Metzenbaum campaign on back of frame Vintage metal period frame included Terrific 1980s Op Art silkscreen, pencil signed and numbered from the limited edition of only 100. This work is framed in its original vintage frame, and bears the label from the campaign for Metzenbaum for Senator - the longtime Democratic Senator from the state of Ohio, along with a biographical blurb on the artist. Don't forget that Anuszkiewicz studied at the Cleveland Institute of Art in the 1950s before studying with Albers at Yale - so it is not surprising that he would contribute this work several decades later to support a liberal politician from Ohio - where he once studied. (Anuszkiewicz was born in Eerie Pennsylvania). Measurements: Framed: 36 x 36 x 0.5 inches Artwork: 35 x 35 inches Provenance: Originally sold to raise funds for Senator Metzenbaum's campaign. Very good; the work is held in its original 1980s vintage frame...

SLOWAVE (Green) Signed and numbered screen print by Florian & Michaël Quistrebert. This edition has been done in 2021. Item is new, sold by the publisher. Available without frame. ...

Scultura metacrilato metacrilato (plexiglass 100% riciclato) assemblata a mano - design by Gio Schiano (LIMITED EDITIONS OF 69) Misure: 30x30x5 è firmata e numerata con certificato,...

SLOWAVE (Red) Signed and numbered screen print by Florian & Michaël Quistrebert. This edition has been done in 2021. Item is new, sold by the publisher. Available without frame. As...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

Moon Rays Graphic Construction (three sheets layered in a shadow box presentation), 1967 Signed lower right. Editioned lower left. (see photos) Edition: 60 from the second printing c...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

Abstract Turquoise Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lowe...

Hand signed and numbered limited edition print. David Roth studied at the Illinois Institute of Technology's Institute of Design and was twice the recipient of the Moholy-Nagy Scholarship in visual design. It was Roth's initial work as a designer at fine art for commercial use that brought him interesting positions as art director for Lanvin, Charles at the Ritz, and Germain Monteil. . The strings are tied in bunches and closely hung tram a wooden bar. The size and shape of the string is similar to that at a canvas painting. Each bundle is represented by a vertical row at squares on the graph and the groupings at string are lined up along the wall according to the horizontal rows at the program. The six primary and secondary colors are used in their full intensity along with black, grey, and white. As a painter Roth works to formulate with color. Some painters regard color as a concomitant of form, hence a subordinate, but Roth's color is the chief medium of his pictorial language. A programmed juxtaposition at primary color allows Roth and the viewer to play upon various combinations. The graphs Roth executes are proportioned according to a strict mathematical formula - the pictures are Composed according to horizontal and vertical divisions on the graph paper. The optical quality of color, deliberately sought, has its roots in the Bauhaus investigations of illusion, and thus has a direct relationship to the Op art produced in postwar Europe. Roth has arranged his hues so as to persuade the planes to separate from the ground on which they are planted, and float free in space. It is almost as if Roth is giving us a "readout" on his creative process. Although the graphs appear to vary in their use of color the same colors are used throughout, also the same amount of color. Roth's work illustrates the sophistication of the human eye-brain relationship that has developed and invites the viewer to participate in the evolution at visionary ideas. One Man Shows 1966 The Gallery Upstairs, Buffalo, New York 1967 The Gallery Upstairs, Buffalo, New York 1969 The House of Graphics, New York 1969 Illinois Institute of Technology, Chicago, Illinois 1972 Robert Elkon Gallery, New York 1973 Robert Elkon Gallery, New York 1974 Robert Elkon Gallery, New York 1975 Michael Wyman Gallery, Chicago 1975 Robert Elkon Gallery, New York 1976 G.W. Einstein, New York 1976 Robert Elkon Gallery, New York 1977 Robert Elkon Gallery, New York 1977 G.W. Einstein, New York 1978 Sunne Savage Gallery, Boston, Massachusetts 1978 Robert Elkon Gallery, New York 1979 Nancy Roth Gallery, Katonah, New York Group Exhibitions 1967 State University of New York, Buffalo 1970 Ronald Feldman Gallery 1970 The Everyman Gallery 1971 Robert Elkon Gallery, New York 1972 The Brooklyn Museum, New York 1972 The Newark Museum, New Jersey 1972 Art...

A fabulous example of 1960s geometric/op art, displaying all the fun, playfulness and vibrancy of the style. Op art, short for optical art, is a style of visual art that uses optical illusions. Typically, they give the viewer the impression of movement, hidden images and vibrating patterns. Its roots can be traced back to Cubism, Futurism, Constructivism and Dada. The maker of this stunning piece is Tony Gonnet (1909-2004) an artist close to those who shaped modern art and its history. Working in Casablanca in 1940 he met André Breton and Saint-Exupéry, who were both on their way to America. Unable to obtain a visa for himself, Gonnet returned to Paris in January of 1942. Living on Rue de Seine, he became one of the figures of Saint-Germain-des-Prés and numbered amongst his many friends Jean-Paul Sartre, Simone de Beauvoir, Jean Genet – who prefaced his first Parisian exhibition in 1952 – as well as Albert Camus, Simone Signoret, Boris Vian, Jacques and Pierre Prévert and many others. In 1941, in the ennui of Casablanca, Tony Gonnet had started to draw, and then paint, in a Surrealist style. In 1946 he abandoned figurative surrealism in favour of abstraction, making sole use from then on of geometric forms and shaded tones, in his own unique style. His works aim to achieve harmony of shapes and colours, and thus to bring joy. Tony Gonnet loved life, and said that each of his works was an offering made to it. With solo shows in major Paris galleries...

Victor Vasarely Seven Plates 2 from Album Meta; 1976 Screenprint in colours, on wove paper 45 5/8 x 28 3/8 inches Signed and numbered from the edition of 225 in pencil Published by Editions Denise René...

16 Green Circles from the Eight Variants series, 1970 This work is number 51 from the edition of 165 printed by Hans Mayer, Krefeld, Germany. screenprint 28"x28" Julian Stanczak American/Polish, 1928-2017. explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian...

Victor Vasarely, the Hungarian-French artist and pioneer of the Op Art movement, is renowned for integrating geometric abstraction and optical illusions in his artwork. The Chessboar...

Serigraph in colors on wove paper. Hand signed and numbered by Victor Vasarely. From the edition of 250. Image size 26 x 26 inches. Sheet size 34.5 x 30 inches. Frame size approx 40 x 37 inches. Additional images available upon request. Certificate of authenticity included. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: Victor Vasarely ((French/Hungarian, 1906–1997) was credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...

The series "Frost and Decimals" explores the marriage of color Fields with exacting geometry. Built upon a multilayered convergence of aerosol painting and hard-edge techniques on wo...

Yaacov Agam, Israeli (b. 1928) Hand signed and dated This is a great example of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best kn...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

Artist: AFter Yaakov Agam (1928) Title: An American Portrait, exhibition poster Year: 1976 Medium: Offset Lithograph on wove paper Size: 27.75 x 19.25 inches Condition: Excellent Not...

EMBEDDED MESSAGES / TERMS Sing us the song, you’re the piano man / Sing us a song tonight / Well, we’re all in the mood for a melody / And you’ve got us feelin’ alright - BILLY JOEL...

* Youth has no age * Action is the foundational key to all success * It takes a long time to become young * The chief enemy of creativity is good sense * Learn the rules like a pro,...

Victor Vasarely (1906 – 1997) Composition Cinétique Serigraph in colors on wove paper, 1970 29 x...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...